Press

Highlights (4)

"“THE RESULT IS SOME NEW STRAIN OF SPECIFIC OBJECT, WITH ITS OWN BEYOND-RADIANT PALETTE, SEAMLESSLY EVOLVING FORMS AND MEANINGS, AND A SENSE OF PROCESS AND ACUTE ATTENTION THAT BELIE THE VIEW OF DIGITAL ART AS SLICK AND IMPERSONAL.”" — ROBERTA SMITH, NEW YORK TIMES | VIEW ARTICLE
"“MDMA for the eye”" — LLOYD WISE, ARTFORUM | VIEW ARTICLE
"“A cyberpunk version of Abstract Expressionism”" — THE BOSTON GLOBE | VIEW ARTICLE
"“Surrealism gone Silicon Valley”" — THE NEW YORKER | VIEW ARTICLE

Entries (53)

2022 — Jennings, Will, "A flâneur in uncanny valley: traversing the digital landscape," recessed.space, August 22.
2022 — Davis, Jeff, "In Conversation with Tabor Robak" The Link — Art Blocks, May 22.
2021 — Various authors, "BUFFALO VIRAL," Buffalo Zine, May 28.
2021 — Shankar, Avantika, "The NGV Triennial considers art and audienceship in a post-Covid world," STIR World, February 11.
2021 — Zhou, Gerogina, “OPTICAL GAME,” NYLON China, January 31.
2021 — Shi, Hantao, "Beautiful Illusion," Modern Weekly January 30.
2021 — Dowse, Nicola, “Best works to see at the NGV Triennial 2020,” Time Out Melbourne, January 7.
2021 — Knezic, Sophie, “NGV Triennial 2020,” Australian Book Review, January 4.
2020 — Miller, Nick, “From famine to feast: the mega art show coming soon to Melbourne,” The Sydney Morning Herald, October 8.
2020 — Whyte, Murray, “At the Currier, the under-traveled intersection of video games and art,” The Bostom Globe, September 3.
2020 — Tripathi, Shailaja, “‘Art in the age of Anxiety’ in the UAE investigates our digitised life,” STIR world, August 19.
2020 — Bennett, Rachel, “Art in the Age of Anxiety - A Conversation with Omar Kholeif,” Fad Magazine, June 5.
2020 — Tanguy, Sarah, “Tabor Robak,” Sculpture Magazine, April 30.
2020 — Sharma, Larina, “Sharjah Art Foundation Explores Art in a Digital Age of Anxiety,” Vogue Arabia, March 12.
2019 — Rose Sharp, Sarah, “Tracing the Interconnectedness of Art and Video Games,” Hyperallergic, December 31.
2019 — Jenkins, Mark, “‘Focus Group’ takes a playful approach to life and death,” The Washington Post, December 27.
2019 — Williams, Maxwell, “From Picasso to Pac-Man,” artnet, November 19.
2019 — Hudak, Brittany M., “Video Games as Art,” CAN Journal, August 21.
2019 — Capps, Kriston, "Reviews: Tabor Robak," Artforum International, June 1.
2019 — Dingfelder, Sadie, "Is This The Future of Art?," The Washington Post, March 04.
2019 — Jenkins, Mark, "'Focus Group' takes a playful approach to life and death,"The Washington Post, December 27.
2019 — Dijksterhuis, Edo, "Pixelangelo Makes a High Mass For The Digital Supreme Being," Het Parool, September 13.
2019 — Schwendener, Martha, "Encountering the 'New Order' at MoMA," The New York Times, June 6.
2018 — Gavin, Francesca, "WATCH THIS SPACE," Pentagram.
2017 — Yerebakan, Osman Can, “Tabor Robak: Quantaspectra,” The Village Voice, May 24.
2017 — Licursi, E.P., “Tabor Robak: The New Old Master,” SSENSE, July 6.
2017 — Yerebakan, Osman Can, “Tabor Robak’s Sundial Takes Over 5th Avenue,” Arte Fuse.
2015 — Wise, Lloyd, “Openings: Tabor Robak,” Artforum International, November, pp. 288-291 (with illustrations).
2015 — Hampton, Chris, “Unpacking and Decoding the World of Animation,” The New York Times, July 31, pp. C1.
2015 — Halle, Howard and Heather Corcoran, “See Mesmerizing Works From Digital Artist Tabor Robak,” Time Out New York, June 16.
2015 — Yerebakan, O.C., “New York – Tabor Robak: ‘Fake Shrimp’ at Team Gallery Through June 7, 2015,” Art Observed, June 5.
2015 — Smith, Roberta, “Tabor Robak; ‘Fake Shrimp’”, The New York Times, May 29, pp. C23.
2015 — Chayka, Kyle, “Can Digital Artist Tabor Robak Become Pixelangelo,” New York Magazine, May 7.
2015 — Zhong, Fan, Art 2.0, W Magazine, May 7.
2015 — Burns, Charlotte, “Serpentine Galleries’ patron gives digital gift, The Art Newspaper, May 1.
2015 — Nihal, Mariam, “Film at Art Basel: Documenting an egalitarian perspective”, Saudi Gazette, January 30.
2015 — Adams, Susan, “From Michelle Phan to Christian Sirian: 30 Under 30 In Art And Style”, Forbes, January 5.
2014 — Burns, Charlotte, “Art world faces reality check”, The ArtNewspaper, December 5.
2014 — Smith, Roberta, “’The St. Petersburg Paradox’ at the Swiss Institute”, The New York Times, August 7, pp. C22.
2014 — Heinrich, Will, “’The St. Petersburg Paradox’ at Swiss Institute”, Gallerist, June 6.
2014 — Reyburn, Scott, “On screen and on the block”,International New York Times, June 2, pp. 15.
2014 — Gat, Orit, “Tabor Robak Next-Gen Open Beta,” ArtReview, March, p. 124.
2014 — Smith, William S., “Tabor Robak,” Art in America, March 14, p.149.
2013 — Gentles, Tim, “Commercial and Then Some” : An Interview with Tabor Robak,” Art in America Online, December 16.
2013 — Alemani, Cecilia, “I Love Screens,” Mousse, December, pp. 126-129.
2013 — Russeth, Andrew, “‘Tabor Robak: Next-Gen Beta’ at Team Gallery,” New York Observer, December 3.
2013 — Elizalde, Molly, “Tabor Robak’s Virtual Dreamscapes,” InterviewMagazine.com, November 22.
2013 — Saxelby, Ruth, “New Worlds,” Dazed & Confused, December, p. 72.
2013 — Indrisek, Scott, “Game On: Tabor Robak’s High-Tech Wizardry,” Modern Painters, November, pp. 70-72.
2013 — Smith, S. William, “ProBio,” Art in America, October 3.
2012 — Friedlander, Emilie, “Artist Profile: Tabor Robak,” Ad Hoc, September 4.
2012 — Saxelby, Ruth, “Enter the Void,” Dazed & Confused, August, pp. 60-63.
2012 — Johnson, Ken, “Inside the Banana,” The New York Times, August 3, p. C25.